![]() Composers, instructors, and arrangers, if you’re interested in helping me test out the Finale and Sibelius sounds on your actual scores and sharing the results, please email me. Here’s where you come in: On paper, at least, this really levels the playing field between Sibelius and Finale as far as included sounds. The new sounds are scheduled to ship this month. As before, Sibelius also offers a “Gold” edition of the built-in Kontakt sounds included with Sibelius. If it wasnt for Sibelius competition, Finale wouldnt be as good as it is now and improving. ![]() The G7 guitar notation software will include a free selection of sounds for that market (guitars, of course, but also keyboards, vocals, and drums). Having used Finale on many projects, large and small, since version 2. Sibelius will also offer a Rock & Pop collection. As with Finale, Sibelius users can opt for a special edition of GPO. This week, Sibelius unveiled its own line of add-on sounds for Sibelius 3, 4, and G7, called (wait for it!) Sibelius Sounds. You can upgrade to the full NI Kontakt, and add on the full GPO orchestral library or a jazz & band collection. Various add-on libraries are now available, as well like Sibelius, Finale integrates a copy of Native Instruments’ Kontakt sample player. Finale 2006 fully integrates Garritan Personal Orchestra. These users for the most part prefer the power to the ease of use, but some use MuseScore or other programs to supplement their Finale work. Now the good news: both Finale and Sibelius have added more robust, integrated sounds. Most of the Finale users in the survey agree that Finale is more powerful, but Sibelius is easier to use. As you’ll see from the tutorial, though, the integration was awfully tricky at the time. Teachworks in 2022 by cost, reviews, features, integrations, deployment, target market, support options, trial offers, training options, years in business, region, and more using the chart below. I wrote a tutorial a year ago for Keyboard Magazine (full article online) explaining how to integrate the superb Garritan Personal Orchestra with notation software. These options were an improvement, but they were still relatively limited. Other great apps like Finale are Avid Sibelius, LilyPond, Impro-Visor and Dorico. The best alternative is MuseScore, which is both free and Open Source. Sibelius 3 tried to address this problem with its Kontakt Silver and Gold sound libraries, followed by Finale adding support for SoundFonts (also supported natively on Mac OS X). There are more than 25 alternatives to Finale for a variety of platforms, including Windows, Mac, Linux, iPad and BSD. Finale and Sibelius have both gotten a lot smarter about rendering a score in a way that sounds more musical, but the built-in sounds are pretty awful. You need to turn out a quick demo, or make a rehearsal CD for a singer, and that means turning to your notation software to produce the sounds. There is a curious aspect of the ongoing Finale/Sibelius imbroglio in that the debate, at least partly, is too finely focused on sexy features or glaring shortcomings, and not on broader aspects of software depth and maturity, which frankly can’t be documented in a brochure. Sure, you’d like to be able to immediately hear every note you put down on a score played by real musicians, but it’s just not possible. Composers and arrangers, you know the problem.
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